Producers Jeffrey Richards, Jerry Frankel, and Jam Theatricals are thrilled to announce that Fiddler on the Roof will play The Broadway Theatre (1681 Broadway) and will begin performances on Tuesday, November 17, 2015 with an opening night scheduled for Thursday, December 17, 2015.
Rehearsals are set to begin Monday, September 28, 2015.
Five-time Tony Award-nominee and Drama Desk & Outer Critics Circle Award winner Danny Burstein (Cabaret, Golden Boy, Follies, South Pacific) will step into the iconic role of Tevye. Burstein will appear under the direction of Tony Award-nominated director Bartlett Sher, who was most recently nominated for a Tony Award for the current Broadway revival, The King and I.
Sher has directed Burstein on Broadway in the revivals of Golden Boy and South Pacific. Further casting and ticket on-sale date will be announced soon.
The design team includes scenic design by Michael Yeargan (Tony Award nominee, The King and I), costume design by Catherine Zuber (Tony Award nominee, The King and I), and lighting design by Donald Holder (Tony Award nominee, The King and I). Fiddler on the Roof will be their 5th Broadway production working with Sher, after South Pacific, Golden Boy, The Bridges of Madison County, and The King and I. Sound design is by Scott Lehrer (A Delicate Balance, South Pacific).
Fiddler on the Roof will also feature choreography by Hofesh Shechter, based on original conceptions and choreography by Jerome Robbins. Music direction and arrangements is by Ted Sperling (The King and I, South Pacific).
Fiddler on the Roof has music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein. The original Broadway production of the show, which opened in 1964 had the first musical theatre run in history to surpass 3,000 performances. The show won the 1965 Tony Award for Best Musical in addition to eight other Tony Awards that year.
DANNY BURSTEIN (Tevye) is a 5-time Tony Award nominee whose 15 Broadway credits include: Cabaret (Tony, Drama Desk and Outer Critics Circle Award nominations); The Snow Geese; Golden Boy (2013 Tony and Outer Critics Circle nominations); Follies (2012 Tony, Astaire & Grammy Award nominations; Drama Desk and Outer Critics Circle Awards); Women on the Verge of a Nervous Breakdown; South Pacific (Tony and Drama Desk nominations, Outer Critics Circle Award); The Drowsy Chaperone (Tony and Ovation Award nominations); Saint Joan; The Seagull; Three Men on a Horse; A Little Hotel On the Side; The Flowering Peach; A Class Act; Titanic and Company. Off-Broadway credits include: Talley's Folly (Lucille Lortel & Drama League nominations); Mrs. Farnsworth; Psych; All in the Timing; Merrily We Roll Along; Weird Romance and I Love You, You're Perfect, Now Change. Film/TV includes: The Family Fang (directed by Jason Bateman); Blackhat (directed by Michael Mann); Lolly Steinman on "Boardwalk Empire" (directed by Martin Scorsese); "Louie"; Transamerica; "Absolutely Fabulous"; "Ed"; all the "Law & Order" series; "Hope & Faith"; Deception; Affluenza; American Milkshake; Nor'easter; Construction; Liv and Trust, Greed, Bullets & Bourbon. He recently made his Metropolitan Opera debut as Frosch in the Jeremy Sams/Douglas Carter Beane production of Die Fledermaus.
BARTLETT SHER (Director) is currently represented on Broadway by The King at I (Tony Award nomination). He is the Resident Director of Lincoln Center Theater, where he has directed Golden Boy by Clifford Odets (Tony Nomination), Blood and Gifts by J.T. Rogers, the new musical Women on the Verge of a Nervous Breakdown by Jeffrey Lane and David Yazbek, August Wilson’s Joe Turner’s Come and Gone (Tony Award nomination), Rodgers and Hammerstein’s South Pacific (2008 Tony Award, South Pacific went on to Australia where it was the most successful show in the history of the Sydney Opera House), Awake and Sing! by Clifford Odets (Tony Award nomination) and The Light in the Piazza by Craig Lucas and Adam Guettel (Tony Award nomination). He has directed operas for the Metropolitan Opera (L’Elisir d’Amore, Le Comte Ory, Les Contes d’Hoffmann, and Il Barbiere di Siviglia), Roméo et Juliette for Salzburg Festival in 2008) and Seattle Opera/New York City Opera (Mourning Becomes Electra, 2003-2004). From 2000-2010, Mr. Sher was Artistic Director of Seattle’s Intiman Theatre, where his credits include the world premieres of Prayer for My Enemy and Singing Forest by Craig Lucas and Nickel and Dimed, Joan Holden’s adaptation of the nonfiction bestseller by Barbara Ehrenreich, and plays by Chekhov, Shakespeare, Goldoni and Tony Kushner, among other credits. His New York credits include the Theatre for a New Audience productions of Cymbeline, which premiered in England and was the first American Shakespeare production at the Royal Shakespeare Company, and for which he received the 2001 Callaway Award, and the American premiere of Harley Granville-Barker’s Waste, winner of the 2000 Best Play Obie. He is a graduate of Holy Cross College and received his graduate training in a class of international theatre artists at the University of Leeds in England.
HOFESH SHECHTER (Choreography). Israeli-born, UK-based choreographer Hofesh Shechter began his professional dance career with Tel Aviv’s Batsheva Dance Company. While working with Batsheva, he began studying percussion and went on to become a drummer in a rock band. He made his choreographic debut in the UK in 2003 with the duet Fragments, followed by Cult, Uprising, and In your rooms. In 2008 he formed Hofesh Shechter Company, an international cast of outstanding dancers and musicians, to create an extended version of Uprising/In your rooms: The Choreographer’s Cut. In 2010 Shechter presented Political Mother at the Brighton Festival, which brought the company international attention. It has since toured Australia, Asia, Europe, and the US, including at BAM. Shechter has worked as a choreographer at the UK’s Royal Court Theatre and the National Theatre and for BBC 4’s popular drama “Skins.” He is the recipient of many prizes, including the 3rd Serge Diaghilev choreography award for Fragments, an Audience Choice Award at the Place Prize 2004 for Cult, Movimentos Most Promising Newcomer in Dance Award in 2009, and the British Theatre Institute’s Award for Excellence in International Dance in 2011. He is an associate artist of Sadler’s Wells. Hofesh Shechter Company is the resident company at Brighton Dome.
JEROME ROBBINS (Original Concepts and Choreography) is world renowned for his work as a choreographer of ballets as well as his work as a director and choreographer in theater, movies and television. His Broadway shows include On the Town, Billion Dollar Baby, High Button Shoes, West Side Story, The King and I, Gypsy, Peter Pan, Miss Liberty, Call Me Madam, and Fiddler on the Roof. His last Broadway production in 1989, Jerome Robbins' Broadway, won six Tony Awards including best musical and best director. Among the more than 60 ballets he created are Fancy Free, Afternoon of a Faun, The Concert,Dances At a Gathering, In the Night, In G Major, Other Dances, Glass Pieces and Ives, Songs, which are in the repertories of New York City Ballet and other major dance companies throughout the world. His last ballets include A Suite of Dances created for Mikhail Baryshnikov (1994), 2 & 3 Part Inventions (1994), West Side Story Suite (1995) and Brandenburg (1996). In addition to two Academy Awards for the film West Side Story, Mr. Robbins has received four Tony Awards, five Donaldson Awards, two Emmy Awards, the Screen Directors' Guild Award, and the NY Drama Critics Circle Award. Mr. Robbins was a 1981 Kennedy Center Honors Recipient and was awarded the French Chevalier dans l'Ordre National de la Legion d'Honneur. Mr. Robbins died in 1998.
MICHAEL YEARGAN (Scenic Design). Theatre credits include designs for regional theatres in America, London's West End and Broadway and off-Broadway productions, including The King and I (Tony Award nomination), The Bridges of Madison County, Light In The Piazza, South Pacific (Tony and Drama Desk Awards) Awake and Sing, Cymbeline, Joe Turner’s Come and Gone, Blood and Gifts and Golden Boy. Opera credits include projects for San Francisco Opera, Chicago Lyric, Royal Opera House, La Scala, the Vienna Statsoper and 10 productions at The Met. He is a professor and co-chair of the Stage Design Department at the Yale School of Drama.
CATHERINE ZUBER (Costume Design). Broadway: The King and I, Golden Boy, How to Succeed in Business Without Really Trying, Born Yesterday, Edward Albee’s Seascape, Dinner at Eight, Twelfth Night (Tony nominations), The Royal Family, South Pacific, The Coast of Utopia, The Light in the Piazza, Awake and Sing! (Tony Awards), The Bridges of Madison County, Gigi, The Big Knife, Joe Turner’s Come and Gone, Ivanov, Triumph of Love, Women on the Verge, Macbeth, Doubt, The Sound of Music, The Red Shoes, among others. Off-Broadway: BAM/Old Vic’s The Bridge Project 2009, ‘10, ’11, Opera: Two Boys, L’Elixir of Love, Tales of Hoffman, Barber of Seville, Compte d’Ory (Metropolitan Opera).Recent: The Sound of Music: NBC/Universal. Graduate of the Yale School of Drama.
DONALD HOLDER (Lighting Design) Broadway credits include: The Lion King and South Pacific (Tony awards), The King and I, On the Twentieth Century, Bridges of Madison County, Golden Boy, Ragtime, Les Liasons Dangereuses, A Streetcar Named Desire, Movin’ Out, Gem of the Ocean, Juan Darien (all Tony nominated), You Can’t Take It With You, Bullets Over Broadway, The Spiderman, Big Fish, Bullets Over Broadway, Annie, Cyrano De Bergerac, The Boy From Oz, many others. Off-Broadway: A Midsummer Night’s Dream (TFANA), Blood and Gifts, Happiness (LCT), many others. Opera: Two Boys and The Magic Flute (Metropolitan Opera). Television: “Smash” Seasons 1 and 2.